Tag: Subtext

  • “Bobcat Trail” by Swetha Amit

    “Bobcat Trail” by Swetha Amit

    In “Bobcat Trail” by Swetha Amit, readers meet two characters in the process of radical change. The young narrator is about to leave for college, while the narrator’s unhappy mother begins a very different type of personal transformation. Amit imbues this speculative fiction with precise, unforgettable imagery and impeccable subtext.  —Court Harler


    After Dad abandoned us for another woman, Ma felt more comfortable in the garden than in the house. Beneath the starless sky, on the damp earth, nestled between the rustling bushes and the oleander tree. I would sometimes see her crouching. Her knees close to her chest, her brown eyes tracking the movements of a finch or a squirrel with uncanny stillness. One afternoon, the summer before I left for college, I found her almost motionless near the oleander tree. Her silhouette seemed to shimmer in the heat. Her floral-patterned sundress appeared to melt in the dazzling sunlight. Her soft velvet hands were now elongated and curved into claws that clutched the murky brown mud. A short bobbed tail twitched and brushed against her ankles.

    “Ma?” I gasped.

    She slowly turned her head to look at me. Her warm brown eyes were now wild, with golden irises and vertically slit pupils. The bridge of her nose protruded, and long whiskers grew from it. Her face was sharpened and framed by tufted ears. A low guttural chuff escaped her throat instead of the human words that included my name and insults hurled at Dad over the phone. Words that pierced my gut and made me retreat into the solitude of books and art. For a moment, we held eye contact. There was no fear or regret in those eyes—just a cold, steely look.

    A squirrel emerged from the bushes looking for fruit. With a quick leap, she gave chase. I watched her move along the fence with a grace that Ma’s sluggish body had forgotten when she’d feast on Oreo cookies relentlessly or wipe out tubs of ice cream, weeks after Dad left. I watched her now partly in awe, partly anxious, wondering if fatigue would catch up with her aging body and she’d be found breathless, clutching her chest. Like the time she attempted a power yoga session while watching a video, only to find herself panting on the floor. I watched her and the squirrel disappear into the muddy trails behind our house. I waited until sweat trickled down my forehead. Until my throat became parched, and I forced myself to get a glass of ice water from the kitchen table. I came out. Ma was still not back. I waited until the sky turned pink to bruised purple, then a hollow black. The ice in my glass melted. I stood outside for a long time, listening to the sounds of the crickets chirping, the distant honking of passing cars, and an owl hooting. 

    A rustling in the bushes startled me.

    “Ma,” I called.

    I squinted to see two golden blazing spots. They were just fireflies.

    I waited all night under the starless sky, inhaling the scent of the mud, for Ma to emerge from the trails, panting. I held my glass of half-full water tightly.


    SWETHA AMIT is an MFA graduate from the University of San Francisco. She is the author of a memoir, A Turbulent Mind, and three chapbooks. Her words appear in HAD, Bending Genres, Ghost Parachute, Gone Lawn, cream city review, and others.


    Featured image by Giorgio Trovato, courtesy of Unsplash.

  • “In bed” by JR Walsh

    “In bed” by JR Walsh

    “In bed” by JR Walsh is a dialogue-driven flash fiction infused with subtext. Picture it: two lovers bedding down for the night, unable to resist talk of the spiritual, the existential, and the psychological, despite their mutual exhaustion. And yet—the sensual, too, simmers just below the surface of their imbricated, complex conversation.  —Court Harler


    One said, Focusing on the enemy is the enemy of true faith.

    The other said, Oh, here we go.

    One said, No, I’m serious.

    The other said, I am sure you are.

    One said, Religion, love.

    The other said, Not tonight, love. I’m not focusing on nothing.

    One said, Years of my life were stolen by religion.

    The other said, Then by using your logic, you shouldn’t focus on it.

    One said, That may be true.

    The other said, Good, let’s talk about anything else.

    One said, But religion is: What. You. Are. Into. It’s your passion.

    The other said, I believe in God.

    One said, And I want you to have your faith.

    The other said, Good, because I’ve got a day off tomorrow and I have faith we won’t do this tomorrow.

    One said nothing.

    The other said, Unless you want to make an enemy.

    One said nothing again.

    The other said, Were you trying to make a point for my benefit?

    One said, I seem to be lacking focus.

    The other said, That is a side effect of your medicine.

    One said, I stopped taking that weeks ago.

    The other said, Why?

    The other also said, Why didn’t you tell me?

    One said, You’d get mad, I figured.

    The other said, You remember what happened last time.

    One said, My memory is fine. Sadly effective.

    The other said, I have wobbly faith that you’ll tell me when you quit your meds.

    One said, I quit my meds.

    The other said, Okay.

    One said, I’m trying to say I think I have strong faith in you….

    The other said, But?

    One said, …but I think I also need to take you for granted.

    After a long pause the other said, Like you’re an agnostic about love.

    One said, Yes?

    Anybody would’ve said, Explain.

    One said, Love, like God, might not exist, but if it does, I have it for you.

    The other said, I can live with that.

    After a long pause one said, Really?

    The other said, No, not at all. I was just hoping you’d fall asleep if I said that.

    The other also said, This conversation is the enemy of sleep.

    One said nothing some more.

    The other said nothing for the first time.

    They said I love you at the same time.

    They said nothing together for a long time.


    JR WALSH teaches creative writing at State University of New York at Oswego. He is the online editor for The Citron Review. His writing is found in beloved publications such as The Greensboro Review, New World Writing, Switch, Litro, The Hong Kong Review, FRiGG, BULL, HAD, Fractured, Taco Bell Quarterly, and Esquire.


    Featured image by zero take, courtesy of Unsplash.