Flash the Court

Tag: Narrative Voice

  • “Inconclusive” by Jack Smiles

    “Inconclusive” by Jack Smiles

    Flash fiction can (and will) run the gamut of human expression. In “Inconclusive,” Jack Smiles utilizes dry humor and sparse but surprising prose to keep the reader riveted until the very end. The overall mood is playfully noir—dark and twisty but also funny and, ultimately, hopeful.  —Court Harler

    My father always said he was a WASP, as in White Anglo-Saxon Protestant, or so I thought. He had no family anyone knew of. He disappeared when I was sixteen, literally, poof, gone. I was curious as hell about him. For my twenty-first birthday my girlfriend gave me a DNA test kit. I learned I was fifty percent Irish, which I expected from my mother’s side, but the other fifty percent? 

    “Inconclusive.”

    Inconclusive? I talked to cousins on my mother’s side who had done the test and none of them had ever heard of inconclusive. I called the 1-800 number, but ran out of patience after the fifth voice prompt. I sent emails, a web form and a letter, that’s right, paper, envelope and stamp. 

    I was seriously thinking about driving to Omaha and camping out in front of the office of the DNA company until someone gave me an answer. But it didn’t come to that. I got a text from a restricted number: 

    “Jane Reilly. Postum, New York. 611 Crandell Street. Inconclusive.”

    611 Crandell was a six-story apartment building. I didn’t have an apartment number. I stepped into the foyer. The door to No. 1 opened. If this was Jane, I hoped to God we weren’t related. She was gorgeous. Tall. Blood red hair. Enormous green eyes. I had red hair and green eyes, too, but nothing like hers.

    “Jane?”

    “Inconclusive. Come in.”

    We sat on stools at the counter bar in her kitchen. She poured wine.

    “Are you drawn to strange things or have odd habits?” she asked.

    I didn’t admit it, but yes. I liked aphids. I never knew why, but I collected them in a glass jar that I kept in the laundry room and watched their tiny black or green bodies shrivel as they died.

    “Do you sleep outside?” 

    Again I couldn’t admit it, but again she was right. I did sleep outside a lot, sometimes in a hole.

    “You are drawn to bright light, aren’t you, and deathly afraid of webs?”

    “Well, we’re all unique.”

    “Unique, indeed,” she said. “Follow me.”

    I’d follow her anywhere.

    We took an elevator to the roof.  She walked to the back edge of the building. We stood side by side looking down at an empty alleyway.

    “We have the same great grandfather,” she said. “He was from….”

    I didn’t hear where he was from. She’d pushed me off.

    So this is how I die, I thought as I fell, and I was so close to discovering my heritage. But my body orientated in midair. My fall slowed. I landed gently on my feet. I looked up. Jane gave me a come-here gesture. My arms went up from my sides. They quivered, faster and faster, making a buzzing sound. I lifted off the ground and flew, floated really, in a meandering pattern back to the roof.

    My father, I realized, really was a WASP.

    JACK SMILES is a former community newspaper feature writer collecting freelance rejections as a hobby in retirement.

    Featured image by Ali Bakhtiari, courtesy of Unsplash.

  • “After the Movies” by Susan P. Morehouse

    “After the Movies” by Susan P. Morehouse

    “After the Movies” by Susan P. Morehouse is a Southern-style slice-of-life story—a quiet but eerie homage to mothers and daughters and strangers and kindness and “the road unspooling before us.” The slow-and-steady-wins-the-race progression of the narration propels readers toward the inevitable end of the story, which surprises and blesses and satisfies and perplexes.  —Court Harler

    We’re driving home from the movies the long way, past the Beckley work farm, and Mom and me are talking about Butch and Sundance, how you can’t outrun fate no matter what or how gorgeous you are. I’m riding shotgun looking for deer to jump out the corn because we can’t afford to wreck. Mia’s in the back humming “Raindrops Keep Fallin’ on My Head,” and Freddie’s kicking my seat. They were too young for the movie, but we couldn’t leave them home alone.

    Our headlights barely pierce the dark. I turn around about to smack Freddie when Mom starts in on how it’s a men-who-roll-out-the-road night, for sure. “Look there,” she says pointing at a red light moving through the dark before us. “It’s three men with maybe twelve teeth between them and dirty faces throwing the road off the back of their truck that only has one taillight. Who knows where this road’ll take us.” Mom likes making things up, but this story gets to me and I’m looking more at that taillight than for deer.

    Up ahead, the light grows larger. I think we should go back the other way, but now Mom’s stopping for a skinny man in the road holding a lantern. Just a man. The light casts a shadow over his face. “Need a ride, stranger?” Mom says. He slides in the front next to me.

    Now Mom drives squinting into the dark, as if there’s a glare, which there isn’t. No one peeps from the back seat.

    The man’s clothes are too big for him; jeans dried hard on a line, tied with rope at the waist, and a shirt with the cuffs past his wrists. He hugs the door like he’s ready to jump out. He doesn’t smell like anything.

    We drive and drive, the road unspooling before us as if we’ve never been on it before, as if we’re lost, as if people we’ve never met really are making this up as we go along.

    At the bus station, the man thanks Mom in a voice that sounds unused to talking. She hands him something from her purse, and says “God Bless,” which we don’t say at home.

    Before he slides out, he leans into me, his breath hot on my skin. He says, “Girl, you try and grow up kind like your mama,” which I never thought of before.

    SUSAN P. MOREHOUSE’s flash and micros have appeared in Hippocampus Magazine, New Ohio Review, The Dribble Drabble Review, and elsewhere. Her stories and essays have been nominated for Best American Essays, The Pushcart Prize, and Best Microfiction, and she recently was the third-place winner of CRAFT Literary Magazine’s First Chapters Contest.

    Featured image by Guilherme Stecanella, courtesy of Unsplash.